It’s a testament to Eazy’s mythology that the young members of Bone were all absolutely determined to sign with Ruthless, even though they didn’t have a remotely workable plan to make that happen. Bone knew that they’d have to leave Cleveland to find any real success, and they had a particular destination in mind. It sold locally, but it didn’t get them out of Cleveland. In 1993, they released their debut album Faces Of Death on a local Cleveland indie label. As it turned out, they just arrived at these vaguely similar underground rap aesthetics independently of one another.) The future Bone Thugs-N-Harmony members started out under the name Band Aid Boys, then changed their name to B.O.N.E. (When Bone broke out nationally, they briefly feuded with Memphis cult heroes Three 6 Mafia, since Three 6 thought that Bone were biting their style. They practiced together, pushing and learning from each other, and they developed a fluttering, darting fast-rap style in near isolation. The members of Bone had to rely on each other they couldn’t count on anyone else.Īs kids, the members of Bone all loved rap music, and they also loved their parents’ soul records. As a kid, Bizzy was abducted by his mother’s boyfriend and lived homeless for a couple of years on Native American reservations in Oklahoma, enduring physical and sexual abuse, before being discovered and returned to his family. Bizzy Bone has a story so terrible that it barely seems real. All of them had desperate, traumatic childhoods. Krayzie Bone was a close enough friend that he felt like part of the family. Layzie Bone and Flesh-N-Bone are brothers. Sometimes, emotional catharsis can do that.Īll five members of Bone Thugs-N-Harmony grew up as a tight unit in Cleveland.
Bone’s legacy runs deep, but that one song sometimes threatens to overwhelm the rest of it. But it took a real-life tragedy for Bone to land their biggest hit, which also became one of the biggest rap hits of the ’90s. As Bone developed, they leaned into that approach, and they found ways to cram more emotional punch into what they did. That made them a novelty, and it also made them vastly influential stylists.
They were a rap group and an R&B group at the same time. But Bone did that while singing, or while doing something that blurred all known lines between singing and rapping. The group’s internal dynamic was right there in the name: They were hard, and they rapped about death and desperation and criminal enterprises. Upon their arrival, Bone were an instant sensation. It was a strange, beautiful, compelling sound, and it made no sense at all. Here was this group from Cleveland, a place that had never produced another rapper of any national repute, and all five members sounded like Nate Dogg doing the Das EFX flow. In the early ’90s, though, Bone’s dizzy and hypnotic style had no equivalent, no precedent. Nobody quite sounds like Bone, and nobody really could, but I hear echoes of their music everywhere. Decades after their emergence, the heady, melodic tongue-flipping speed-rap that Bone Thugs-N-Harmony pioneered has simply become a part of rap’s musical vocabulary. There is simply no way to adequately convey just how weird they sounded. In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.
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